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Entry Topical Term

Number of records used in: 3

001 - CONTROL NUMBER

  • control field: 110332

003 - CONTROL NUMBER IDENTIFIER

  • control field: DLC

005 - DATE AND TIME OF LATEST TRANSACTION

  • control field: 20200604174937.0

008 - FIXED-LENGTH DATA ELEMENTS

  • fixed length control field: 020523i| anannbabn |a ana

010 ## - LIBRARY OF CONGRESS CONTROL NUMBER

  • LC control number: sh 85014640

040 ## - CATALOGING SOURCE

  • Original cataloging agency: DLC
  • Transcribing agency: DLC
  • Modifying agency: DLC
  • Modifying agency: ODaU

053 #0 - LC CLASSIFICATION NUMBER

  • Classification number element--single number or beginning number of span: BT670.B55

150 ## - HEADING--TOPICAL TERM

  • Topical term or geographic name entry element: Black Madonnas

450 ## - SEE FROM TRACING--TOPICAL TERM

  • Control subfield: nne
  • Topical term or geographic name entry element: Black Virgins

450 ## - SEE FROM TRACING--TOPICAL TERM

  • Topical term or geographic name entry element: Madonnas, Black

450 ## - SEE FROM TRACING--TOPICAL TERM

  • Topical term or geographic name entry element: Virgins, Black

500 0# - SEE ALSO FROM TRACING--PERSONAL NAME

  • Control subfield: g
  • Personal name: Mary,
  • Titles and other words associated with a name: Blessed Virgin, Saint
  • Form subdivision: Art

500 0# - SEE ALSO FROM TRACING--PERSONAL NAME

  • Control subfield: g
  • Personal name: Mary,
  • Titles and other words associated with a name: Blessed Virgin, Saint
  • General subdivision: Devotion to

670 ## - SOURCE DATA FOUND

  • Source citation: Orsini, Jacqueline, Mary, 2000:
  • Information found: page xiv (Many black, or dark, images of Mary are the result of chemical changes caused by time and smoke from altar candles, encrusted soot, or other pollutants; they do not indicate a lost thread to paganism) page xv (Other dark Marys were authentic products of an artist's convictions coupled with time-honored venerations of dark or Black Madonnas)

670 ## - SOURCE DATA FOUND

  • Source citation: Moser, Mary Beth. Honoring darkness, 2008:
  • Information found: page xii (Black Madonnas, very dark-skinned images of Mary looked like none of the fair rendition with which I was familiar) page xvii ([A] certain percentage of Black Madonna images are intentionally dark)

670 ## - SOURCE DATA FOUND

  • Source citation: All about Mary website, May 9, 2019:
  • Information found: (In the early days of the 'comparative religions' discipline, authors casually equated the 'Black Virgins' venerated by Catholics with pagan goddess images of similar appearance, providing some with a polemic argument against the Catholic Church. More recently, some feminist writers have suggested the Black Madonna as indicating a perspective on Mary underemphasized in traditional Christian doctrine)

670 ## - SOURCE DATA FOUND

  • Source citation: Gustafson, Fred, The black madonna of Einsieden, 2009:
  • Information found: title page (black madonna) page 11 (several hundred Black Madonnas throughout Europe)

670 ## - SOURCE DATA FOUND

  • Source citation: Oleszkiewicz-Peralba, The black madonna in Latin America and Europe, 2007:
  • Information found: title page (Black madonna) page 9 (My book examines the phenomenon of the Black Madonna, a fluid syncretic blend of the Virgin Mary and ancient Mother Goddesses from Eurasian, Native American, and African cultures)

670 ## - SOURCE DATA FOUND

  • Source citation: Birnbaum, Lucia Chiavola, Black madonnas, 1993:
  • Information found: title page (Black madonnas) page 3 ([D]iffering in shades of dark, what all black madonnas have in common is location on or near archaeological evidence of the prechristian woman divinity and the popular perception that they are black)

670 ## - SOURCE DATA FOUND

  • Source citation: Wikipedia, May 9, 2019:
  • Information found: (The term Black Madonna or Black Virgin refers to statues or paintings of the Blessed Virgin Mary in which she, and often the infant Jesus, are depicted with black or dark skin ... these depictions are more accurate to historical Mary, since many of the works are eastern in origin and since Mary herself likely had dark skin)

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