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Performance and theatricality in the Middle Ages and the Renaissance / edited by Mark Cruse.

Contributor(s): Cruse, Mark [editor.]
Material type: TextTextSeries: Arizona studies in the Middle Ages and the Renaissance: 41.Publisher: [Turnhout] : Brepols, [2018]Copyright date: ©2018Description: xiii, 207 pages : illustrations ; 24 cmContent type: text Media type: unmediated Carrier type: volumeISBN: 9782503579870; 2503579876Subject(s): Theater -- Europe -- History -- Medieval, 500-1500 | Theater -- Europe -- History -- 16th century | Theater -- Europe -- History -- 17th century | Performance -- Religious aspects | Performance -- Psychological aspectsBibliography, Etc. Note: Includes bibliographical references.
Contents:
Introduction / MARK CRUSE -- The Intersubjective Performance of Confession vs. Courtly Profession / MARISA GALVEZ -- Performing Prudence in Sawles Warde and Chaucer's Tale of Melibee / CANDACE HULL TAYLOR -- The Spectacle of Sainthood: Performance and Politics of La Festa et Storia di Sancta Caterina in Siena / JENNA SOLEO-SHANKS -- A Case For Reperformance: Illustrations in the Istoire de la Destruction de Troie la Grant / LOFTON L. DURHAM -- Tracing Medieval Performance: The Visual Archive / CLAIRE SPONSLER -- The Discourse about Gender Relationships on the Urban Stage in Late Medieval German Shrovetide Plays and Verse Narratives / ALBRECHT CLASSEN -- Subversive Imagery in Bruegel's The Dirty Bride and Valentine and Orson / CATHERINE SCHULTZ MCFARLAND -- Staging the Thirty Years' War: Jesuit Drama and the Politics of Duke Maximilian I of Bavaria, 1600-1625 / WILLIAM BRADFORD SMITH -- Musical Performance in Lope de Vega's La discordia en los casados [Discord between Spouses] / IVY HOWELL WALTERS -- Drama in the Service of Orthodoxy: Dimitrii of Rostov's Theatrical Investigation of the Schism / J. EUGENE CLAY.
Holdings
Item type Current library Shelving location Call number Copy number Status Barcode
Book Book John Bulow Campbell Library 1 West PN2152 .P47 2018 (Browse shelf(Opens below)) 1 Available 0182903525471

Includes bibliographical references.

Introduction / MARK CRUSE -- The Intersubjective Performance of Confession vs. Courtly Profession / MARISA GALVEZ -- Performing Prudence in Sawles Warde and Chaucer's Tale of Melibee / CANDACE HULL TAYLOR -- The Spectacle of Sainthood: Performance and Politics of La Festa et Storia di Sancta Caterina in Siena / JENNA SOLEO-SHANKS -- A Case For Reperformance: Illustrations in the Istoire de la Destruction de Troie la Grant / LOFTON L. DURHAM -- Tracing Medieval Performance: The Visual Archive / CLAIRE SPONSLER -- The Discourse about Gender Relationships on the Urban Stage in Late Medieval German Shrovetide Plays and Verse Narratives / ALBRECHT CLASSEN -- Subversive Imagery in Bruegel's The Dirty Bride and Valentine and Orson / CATHERINE SCHULTZ MCFARLAND -- Staging the Thirty Years' War: Jesuit Drama and the Politics of Duke Maximilian I of Bavaria, 1600-1625 / WILLIAM BRADFORD SMITH -- Musical Performance in Lope de Vega's La discordia en los casados [Discord between Spouses] / IVY HOWELL WALTERS -- Drama in the Service of Orthodoxy: Dimitrii of Rostov's Theatrical Investigation of the Schism / J. EUGENE CLAY.

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